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King Kong Schweiz

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King Kong Schweiz

Der Schweizer Ramon Zenhäusern brüllte sich lautstark aus dem Starthaus in Schladming – und das Internet feiert und fürchtet ihn zugleich. HONG-KONG FOOD PARADISE. DIE INHABER DIES WAR UNS ALS EINZIGES CHINARESTAURANT DER SCHWEIZ VORBEHALTEN. AB WURDE. Alexandra Weber vermisst «King» und «Kong». 36' Franken Finderlohn – für zwei Löwen-Statuen! , Uhr. Weil zwei.


Der Schweizer Ramon Zenhäusern brüllte sich lautstark aus dem Starthaus in Schladming – und das Internet feiert und fürchtet ihn zugleich. Film: King Kong () - Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze​. Alexandra Weber vermisst «King» und «Kong». 36' Franken Finderlohn – für zwei Löwen-Statuen! , Uhr. Weil zwei.

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Cooper's executive assistant, Charles B. FitzSimons, stated that these companies should be negotiating through him and Cooper for such licensed products and not RKO.

In a letter to Robert Bendick, Cooper stated:. My hassle is about King Kong. I created the character long before I came to RKO and have always believed I retained subsequent picture rights and other rights.

I sold to RKO the right to make the one original picture King Kong and also, later, Son of Kong , but that was all. Cooper and his legal team offered up various documents to bolster the case that Cooper owned King Kong and had only licensed the character to RKO for two films, rather than selling him outright.

Many people vouched for Cooper's claims, including David O. Selznick, who had written a letter to Mr. Loewenthal of the Famous Artists Syndicate in Chicago in stating in regard to Kong , "The rights of this are owned by Mr.

Ayelsworth the then-president of the RKO Studio Corp. Kahane the current president of RKO Studio Corp. Without these letters, it seemed Cooper's rights were relegated to the Lovelace novelization that he had copyrighted he was able to make a deal for a Bantam Books paperback reprint and a Gold Key comic adaptation of the novel, but that was all that he could do.

Cooper's lawyer had received a letter from John Beck's lawyer, Gordon E. Youngman, that stated:.

For the sake of the record, I wish to state that I am not in negotiation with you or Mr. Cooper or anyone else to define Mr.

Cooper's rights in respect of King Kong. His rights are well defined, and they are non-existent, except for certain limited publication rights.

It seems my hassle over King Kong is destined to be a protracted one. They'd make me sorry I ever invented the beast, if I weren't so fond of him!

Makes me feel like Macbeth : "Bloody instructions which being taught return to plague the inventor.

The rights over the character did not flare up again until , when Universal Studios and Dino De Laurentiis were fighting over who would be able to do a King Kong remake for release the following year.

During the legal battles that followed, which eventually included RKO countersuing Universal, as well as De Laurentiis filing a lawsuit claiming interference, Colonel Richard Cooper Merian's son and now head of the Cooper estate jumped into the fray.

During the battles, Universal discovered that the copyright of the Lovelace novelization had expired without renewal, thus making the King Kong story a public domain one.

Universal argued that they should be able to make a movie based on the novel without infringing on anyone's copyright because the characters in the story were in the public domain within the context of the public domain story.

In a four-day bench trial in Los Angeles, Judge Manuel Real made the final decision and gave his verdict on November 24, , affirming that the King Kong novelization and serialization were indeed in the public domain, and Universal could make its movie as long as it did not infringe on original elements in the RKO film, [54] which had not passed into the public domain [55] Universal postponed their plans to film a King Kong movie, called The Legend of King Kong , for at least 18 months, after cutting a deal with Dino De Laurentiis that included a percentage of box office profits from his remake.

However, on December 6, , Judge Real made a subsequent ruling, which held that all the rights in the name, character, and story of King Kong outside of the original film and its sequel belonged to Merian C.

Cooper's estate. This ruling, which became known as the "Cooper judgment", expressly stated that it would not change the previous ruling that publishing rights of the novel and serialization were in the public domain.

It was a huge victory that affirmed the position Merian C. Cooper had maintained for years. In Judge Real dismissed the claims that were brought forth by RKO and Universal four years earlier and reinstated the Cooper judgement.

In Universal filed a lawsuit against Nintendo , which had created an impish ape character called Donkey Kong in and was reaping huge profits over the video game machines.

Universal claimed that Nintendo was infringing on its copyright because Donkey Kong was a blatant rip-off of King Kong. The courts ruled that trademark was not among the rights Cooper had sold to Universal, indicating that "Cooper plainly did not obtain any trademark rights in his judgment against RKO, since the California district court specifically found that King Kong had no secondary meaning.

The judge then ruled that "Universal thus owns only those rights in the King Kong name and character that RKO, Cooper, or DDL do not own.

First, Universal knew that it did not have trademark rights to King Kong, yet it proceeded to broadly assert such rights anyway. This amounted to a wanton and reckless disregard of Nintendo's rights.

Second, Universal did not stop after it asserted its rights to Nintendo. It embarked on a deliberate, systematic campaign to coerce all of Nintendo's third party licensees to either stop marketing Donkey Kong products or pay Universal royalties.

Finally, Universal's conduct amounted to an abuse of judicial process, and in that sense caused a longer harm to the public as a whole.

Depending on the commercial results, Universal alternatively argued to the courts, first, that King Kong was a part of the public domain, and then second, that King Kong was not part of the public domain, and that Universal possessed exclusive trademark rights in it.

Universal's assertions in court were based not on any good faith belief in their truth, but on the mistaken belief that it could use the courts to turn a profit.

Because Universal misrepresented their degree of ownership of King Kong claiming they had exclusive trademark rights when they knew that they did not and tried to have it both ways in court regarding the "public domain" claims, the courts ruled that Universal acted in bad faith see Universal City Studios, Inc.

Nintendo Co. They were ordered to pay fines and all of Nintendo's legal costs from the lawsuit. That, along with the fact that the courts ruled that there was simply no likelihood of people confusing Donkey Kong with King Kong, [58] caused Universal to lose the case and the subsequent appeal.

Since the court case, Universal still retains the majority of the character rights. In they opened a King Kong ride called King Kong Encounter at their Universal Studios Tour theme park in Hollywood which was destroyed in by a backlot fire , and followed it up with the Kongfrontation ride at their Orlando park in which was closed down in due to maintenance issues.

They also finally made a King Kong film of their own, King Kong In the summer of , Universal opened a new 3D King Kong ride called King Kong: 3-D at their Hollywood park, replacing the destroyed King Kong Encounter.

Later, in July at the San Diego Comic-Con , Legendary announced as a product of its partnership with Universal , a King Kong origin story, initially titled Skull Island , with Universal distributing.

On September 10, , it was announced that Universal would let Legendary Pictures move Kong: Skull Island to Warner Bros. As noted above, Richard Cooper, through the Merian C.

Cooper Estate, retained publishing rights for the content that Judge Real had ruled on December 6, , belonged to Richard Cooper.

In , they licensed a six-issue comic book adaptation of the novelization of the film to Monster Comics , and commissioned an illustrated novel in called Anthony Browne's King Kong.

In , they became involved with a musical stage play based on the story, called King Kong: The Eighth Wonder of the World which premiered in June in Australia [68] [69] and then on Broadway in November Cooper's King Kong property through his company, DeVito ArtWorks, LLC.

Studios , [72] an expanded rewrite of the original Lovelace novelization, Merian C. Cooper's King Kong, the original novelization's publishing rights are still in the public domain , and various crossovers with other franchises such as Doc Savage , Tarzan [73] and Planet of the Apes.

RKO whose rights consisted of only the original film and its sequel signed over the North American, Latin American and Australian distribution rights to its film library to Ted Turner in a period spanning to via his company Turner Entertainment.

Turner merged his company into Time Warner now WarnerMedia in , which is how Warner Bros. In , Warner Bros. Family Entertainment released the direct-to-video animated musical film The Mighty Kong , which re-tells the plot of the original film.

Kong , after Legendary Pictures brought the projects from Universal to their company to build up the MonsterVerse.

DDL whose rights were limited to only their remake did a sequel in called King Kong Lives but they still needed Universal's permission to do so. In the s, Japanese studio Toho licensed the character from RKO and produced two films that featured the character, King Kong vs Godzilla and King Kong Escapes Toho's interpretation differed greatly from the original in size and abilities.

Among kaiju , King Kong was suggested to be among the most powerful in terms of raw physical force, possessing strength and durability that rivaled that of Godzilla.

As one of the few mammal-based kaiju, Kong's most distinctive feature was his intelligence. He demonstrated the ability to learn and adapt to an opponent's fighting style, identify and exploit weaknesses in an enemy, and utilize his environment to stage ambushes and traps.

In King Kong vs. This version of Kong was given the ability to harvest electricity as a weapon and draw strength from electrical voltage.

This version was more similar to the original, where he relied on strength and intelligence to fight and survive. Godzilla and on Mondo Island in King Kong Escapes.

In , Toho planned to produce Operation Robinson Crusoe: King Kong vs. Elements of King Kong's character remained in the film, reflected in Godzilla's uncharacteristic behavior and attraction to the female character Daiyo.

Toho Studios wanted to remake King Kong vs. Godzilla , which was the most successful of the entire Godzilla series of films, in to celebrate the 30th anniversary of the film, as well as to celebrate Godzilla's upcoming 40th anniversary.

However, they were unable to obtain the rights to use Kong, and initially intended to use Mechani-Kong as Godzilla's next adversary.

But it was soon learned that even using a mechanical creature who resembled Kong would be just as problematic legally and financially for them. As a result, the film became Godzilla vs.

King Ghidorah , with no further attempts to use Kong in any way. Three television shows have been based on King Kong: The King Kong Show , Kong: The Animated Series , and Kong: King of the Apes King Kong, as well as the series of films featuring him, have been featured many times in popular culture outside of the films themselves, in forms ranging from straight copies to parodies and joke references, and in media from comic books to video games.

The Beatles ' animated film Yellow Submarine includes a scene of the characters opening a door to reveal King Kong abducting a woman from her bed.

The Simpsons episode " Treehouse of Horror III " features a segment called "King Homer" which parodies the plot of the original film, with Homer as Kong and Marge in the Ann Darrow role.

Let's bring in a faster one with more legs and jaws. It makes all of the spectacular action sequences on Skull Island feel very unrealistic and the story becomes too artificial.

It's OK to impress the viewer with some revolutionary special effects but not when the story and storytelling suffer from it.

I'm not a that big fan of special effects driven movies anyway might sound strange, that coming from a Star Wars fan.

This particular movie overused it's effects, in the never ending effort to impress the viewers and leave them in awe. The actors in the movie are good.

The sequences between Kong and Ann Darrow work out surprising good and powerful at times, which is of course also thanks to Naomi Watts, who was really good in her role.

Jack Black is a revelation in a more serious role and he shows that he can also really do some good drama. Adrien Brody is of course also a great actor but I still don't really understand why an Oscar winning actor plays a role like this.

It's a role without too much importance and flair. I can certainly imaging the movie without his character. Other fine actors in the movie are Thomas Kretschmann, Jamie Bell, Colin Hanks and Andy Serkis also plays an entertaining, enjoyable role as Lumpy the cook.

All of the characters however are given very little screen time in the second and third act of the movie, with the exception of Ann Darrow of course.

The movie truly mainly focuses on Kong and Ann Darrow. It does provide the movie with some good, powerful and emotional moments but at the same time it also provides the movie with many missed opportunities.

The slowly turning evil transition of the Jack Black character for instance and how Preston Colin Hanks at certain points later in the movie forms his only link to the realistic normal world, instead of the money and fame driven world Carl Denham imagines himself in.

The movie could had been so much more powerful and certainly more realistic if they had only spend more time on the script and gave the other characters also some more screen time, instead of just mainly only focusing on Ann and Kong.

Of course it's a summer blockbuster and of course the story comes secondary. However in this particular case I really feel that the movie suffers from it's flawed story and storytelling.

It's so obvious that the story is just almost totally empty and the movie is nothing more than one spectacular but yet unlikely event after the other.

The movie forgets about its story at times and try too hard to impress the viewers with its special effects and other visuals. It makes the movie too artificial and forced to watch at times.

The movie still remains almost perfectly entertaining to watch, just because so much spectacular happens.

Some of the action is impressive and unforgettable but really the movie deserved a better story and character treatment.

If that was the case, I almost surely would had regarded "King Kong" as one of the best movies of All Titles TV Episodes Celebs Companies Keywords Advanced Search.

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3 Kommentare zu „King Kong Schweiz“

  1. Tygolmaran

    Ich meine, dass es der Irrtum ist.

    Es ist Sie offenbar haben sich geirrt...

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